This was made with the classical technique of animated drawing at the Ateliers of Film Animation at the Fine Arts School of UFMG (Federal University of Minas Gerais).

 

I aimed to elaborate the script as a time-image (a type of image described by Gilles Deleuze), for what I thought the background and sound would be as essential as the actions of the characters. Then I proposed a sound diagram as "a noise act" to synchronize with the visual storyboard. This was the practical result - in which I incorporated a range of phonographic fragments (listed in a monograph) - , of theoretical research undertaken for the course.

 

After I had completed this project, it occurred to me that I could do the exact opposite: rather than make a diagram to generate the soundtrack of a movie, I could make a soundtrack to generate a movie. These were the precedents which drove me to the RELAY SCRIPT project.